For those of you not familiar with the annual Milwaukee tradition, Summerfest is the largest music festival in the world. Yes, I said largest in the world. In Milwaukee. Really. Not Chicago. Not LA. Not New York. Milwaukee, WI.
Since I’m from the Milwaukee area, I’m going to brag a little bit. Summerfest is 11 days of beer, ethnic food, cheese curds, brats, Cedar Crest ice cream, and corn on the cob with 11 stages featuring over 800 bands all on the shore of Lake Michigan. And these aren’t just any 800 bands. Here’s a sampling of who you could see this year at the various side stages for a mere $15 admission fee (Taste of Minnesota, take note! $20-30 for a handful of music and entertainment is WAAAYYY more than you should be charging for a significantly less impressive lineup): the B-52s, 311, Public Enemy, Less Than Jake, B.B. King, Gavin Rossdale, Cypress Hill, Weird Al, O. A. R., The Offspring, The Roots, Joan Jett and the Blackhearts, Modest Mouse, Flyleaf, Dar Williams and DEVO. And at the main stage, the 23,000 seat capacity Marcus Amphitheater, you could see people like Eric Clapton, Tom Petty (with ZZ Top opening), Justin B****r, Lynyrd Skynyrd and RUSH for no additional cost if you’re willing to camp out in line for a wrist band (or you can get ripped off by Ticketbastard and buy a reserved seat). There are also other bands and DJs performing throughout the grounds – there’s music everywhere, starting in the early afternoon and going until 11 pm every night. For 11 days. Oh and with major fireworks on opening night and on July 3. These are, hands down, some of the best fireworks I’ve seen, courtesy of the geniuses at Bartolotta’s. You can see how Summerfest has earned it’s title.
So enough bragging. I headed down to Summerfest on July 2 to see The Sky and the Execution, a Milwaukee band I’ve been following since the beginning. I took the bus over and lucky me, not only was my ride a school bus and not a coach bus, but a group of about five loud and annoying high schoolers sat right behind me. As soon as I sat down, I questioned my decision to only half-heartedly search for some headphones before I left the house. I left empty-handed, but fortunately, it’s a short trip.
There was a good sized crowd for The Sky and the Execution considering it was a 3:00 show on a Friday afternoon. They played on the CoolTV Rock Stage, which is on the north end of the park. There were some TS&TE fans in the crowd, especially stage left, but for the majority of the people, the band seemed to be new to them. It was a pretty young crowd, which made a lot of sense after I heard some of the other bands, who all fall under the various metal classifications. The Devil Wears Prada were the headliners. I know nothing about the band except what I just read at Wikipedia, but their summer tour lists two and three shows back to back in a number of major cities and apparently they were voted the Alternative Press’ 2009 Band of the Year by AP readers. So I guess they’re a big deal these days with the kids. But I digress.
The band came onstage at about 3:15 and one thing that caught me totally by surprise was seeing Chase Brandon step out onstage to man the electronics. Chase was in White Knuckle Trip with Nathan Forcey, the singer, and I had no idea that he had joined The Sky and the Execution. This was the first time I’ve seen the band include electronics live.
The Sky and the Execution started the set off strong with the first two tracks from their debut album, …And We Choke Down the Eucharist of Venom – The Redeeming Value of Knives and Profit Margins and Genocide. They ran into some technical issues with one of the guitar setups between songs, which created a fairly lengthy break. I bought a DVD of the set after the show and the break was entirely cut out. Kudos to the band because you don’t notice any momentum shift in the set when watching the video. You woudn’t know anything had happened unless you were there. Once the guitarist was ready to go, they jumped right back in where they had left off with the same intensity they brought with the first two songs. The type of extended delay experienced during this set could have totally derailed band mentally and killed the rest of the set, but the band remained professional and focused and carried on, giving the entire set their all.
Here’s what I’ve been able to piece together as the set list. Unfortunately, I don’t have names for a couple of the newer songs.
The Redeeming Value of Knives
Profit Margins and Genocide
?? New song
What Came in the Blood Line
Paralysis (The Perfect Anecdote)
Believe Me or Not
?? New song
Our Lives of Venom
As far as overall impressions go, the band was extremely tight. The Sky and the Execution is fairly progressive. They use a lot of fast changes between tempos and time signatures and a fair amount of guitar harmonies. They were spot on during all the rests and changes. My attention during the set was drawn to drummer Matt Stein, who was spinning his sticks and having a lot of fun on stage, and singer Nathan Forcey. That’s not to say that the guitarists and the bassist were boring – far from it, but it’s hard not to be drawn to Nathan’s on-stage intensity. The band members work together very well, but they definitely key off of Nathan. He’s a veteran of the Milwaukee music scene and his experience shows. This is a band to watch.